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I’ve been away for a while peeps – costuming a film with the BDSM undertones required for one scene. While involved in production my hours are long, laborious. We are physically making the stuff to dress the models, right down to the leatherette gloves. Not all the models will be able to wear latex gloves due to the amount of time being in them, will cause to some extent almost lacerations on the inside arm. I will explain that point on another note.

For now I am talking about the efforts required for the production to pull together one scene of a feature film. I was working at a pretty big studio set up. Most fetish films for latex porn are a low level set up – shot mostly in a day, due to the constraints of shooting models for long periods of time in latex. I had a set of daily strips to focus on that cumulated into one scene, over the course of a one week shooting schedule. Each Strip consisted of a list of shots in which as costume designer I had to make special considerations to anything shown on a tight frame.

In particular details like gloves where attended to, with specifics probably unnatainable easily on a shop bought basis due to details like buckles, lacing etc. We had a budget to fit the entire costuming to. I made special effort for unusual demonic silhoettes with inflateable horns. All of these made for the film, and lead in team work by myself under the direction of the production designer.

Making Fetish Gloves

I was happy to be known throughout the film studios under my Alias Name of Lady Onna, rather than my IMDB name. It was rather pleasant, and also befitting I suppose with the nature of the work. I realise now looking back at this video that I am sitting there in the wardrobe room, with clothing pegs on my tits. Getting into the theme of things heh.

Anyway the difference between a feature production, with a BDSM insert scene, is the ability to spend on the production value to get the authentic look. We spent weeks in production actually sourcing and making the stuff, right up to the last hour, with new models on the slate adding to the background artistes and requiring fittings. Then in pricipal photography, the long hours and looking after wardrobe responsibilities continued into long hours until after the day’s wrap with further cleaning of the garments.

A lower budget fetish movie produced just for the satisfaction of fetish alone can not entertain the finance and process of making for weeks, then fitting out, wrangling models for days on end. To some extent you have to admire the ingenuity to produce such fetish movies within a days shoot. Costumes have to be begged, borrowed, and credited where not paid for. All to stick within marketeable costs.

Costuming a feature film

Costuming the BDSM world

Seeing as the world is flat.. maybe I fell of the edge of the world? Well actually only as far as the Phillipines. My skills in rubberising people has spread internationally, and I have been rather busy lately video conferencing with an LA Production shooting a BDSM scene in the phillipines. It is part of a mainstream feature film, and not unusually there, I have been asked to costume the underworld.

I need to make sure I get clearances for everything I am taking over there as the wardobe I am taking may raise a few eyebrows in checking in/out. I have amassed a collection of latex gimp hoods, catsuits, latex Madam dresses, wenches, chastity belts – everything you can imagine. I will be working during preproduction fitting all the actresses who will be living on site during the shooting schedule. Much of the stuff will have to be darted and reglued prior to shooting, dresses replicated for backup for the undoubted tears and splitting etc.

I am the one that gets to fit all the oriental ladies up >:-] heeheehee….

Here is a sneek peek at some of the latex styling I am bringing into the film:

detail levels of some of the costuming
Flambouyant cuts by onna
latex textures hand cast by onna
Latex compositions by onna
Chinese Dresses by Onna
A Latex Whore house in the Feature Film

I would just like to point out – that I no longer make designs to sell. The business long since struggled to make me any form of living, but the skills have not been wasted. I have found my niche with working in films to continue my perverse hobby of dressing women (and men as women) in latex. Much of the indecent looking stuff i don’t really have pictures of. Since no photographer was really willing to pay me the time of day to pose in indecent stuff – I never bothered to take pictures of it, It will be used in the film instead.

I am still wondering how I will explain things like cock pants and chastity belts in my hand luggage.. Does anyone have any advice on that before I leave?

I wont be out of contact while I am there – things are not backward, but the hours will be long, anything like a 12hr day might be normal. But then that’s normal for film production. The hours are long, it’s never a wrap until the last scene is in the can, and I will be on standby all the time waiting for someone to burst their costume. I’ll probably be all dressed up at the same time.

The film is called ‘Victim of Circumstance’ and will be out in 2010.